Edgar Allen Poe’s The
Man of the Crowd is a unique short story about Poe observing the masses of
people who pass by a coffeehouse in London. As Poe mentions, he has spent his
afternoon looking over advertisements in the paper while smoking a cigar. While
this sounds incredibly relaxing, Poe shifts his attention to the street where
he notes the different characteristics of various pedestrians. I think it is
interesting that most of the people he sees are both serious in nature and
fixated on getting from one place to another. These people do not excite Poe’s
attention, but he continues to people-watch nonetheless. He notes the
differences between the junior clerks and upper clerks, which makes for an
interesting sociological distinction. Apparently, the junior clerks “wore the
cast-off graces of the gentry” while the upper clerks wore more fashionable,
elegant and expensive items (682). To a degree, Poe’s description of various
groups he observes is extremely superficial.
Poe judges these individuals who are walking in the masses by
the clothing they wear and the demeanor by which they briefly display. When
nighttime approaches, Poe suddenly slips out of his trance in describing the
crowd and becomes fixated on one particular individual. The man, described as
being approximately sixty-five years old revealed “a countenance which at once
arrested and absorbed my whole attention, on account of absolute idiosyncrasy
of its expression” (684). Poe becomes so obsessed with this man that he devotes
his entire night and part of the following day tracking this man. Poe seems to
be satisfied only when he is within sight of this man, yet, he does not disturb
the man’s natural tendencies. What makes this man so peculiar is that he
downright lost when he is not within a crowd. He searches all night for
numerous crowds to be a part of and walks until his need is satisfied.
Though Poe follows this man around all night, he is unable to
come to many conclusions about the fellow. Though he notes what the man wears
and how the man acts, he never approaches the person he is seemingly obsessed with.
The piece ends with Poe giving up on his pursuit of this mysterious man. Poe
states that the man commits the deep crime of refusing to be alone. While some may
believe that an inability of being alone could be some type of social deficiency,
classifying this as a crime seems quite harsh. In fact, an argument can be made
that Poe suffers from this same defect. This is to say, that when Poe became
bored with reading the paper, he embeds himself in the lives of those who pass
by the coffeehouse window. He becomes so possessed with the lives of others
that he follows a man around all night, instead of going home alone.
I love this story, and you give a good description of it. I also like your point that the story's narrator is much like the man he follows in not being capable of being alone, and of being somehow unique, outside the categories he otherwise ascribes to all the other people he sees. One small correction: the narrator doesn't say that it's a crime to be alone, but that the man comes to represent, in his singularity and endless wandering, "the type and the genius of deep crime." I take this to mean that the narrator thinks the man has committed a deep crime, and his wandering is now a symptom of his guilt--he can't be alone with the guilt of his crime.
ReplyDeleteI think that this story is interesting particularly alongside Emerson's strong emphasis on self-reliance and the need to be alone. The mysterious man in this story seems to exemplify the antithesis of what Emerson advocates. This man wanders and refuses to be alone with his own thoughts, which contradicts Emerson's idea that "our minds travel when our bodies are forced to stay at home" (283). The epigraph of Poe's story reads, "this great misfortune, of not being able to be alone," working in conjunction with Emerson's attention to solitude and the necessity for man to be alone with his own thoughts. I see this story as Poe's response to the challenges and difficulty of coming to terms with one's own thoughts and emotions despite the apparent need to.
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