Poe’s style of narration
One of my favorite elements of Poe’s writing is
his use of an unreliable first person narrator.
Poe’s first-person narrative style allows the reader to get in to the
mind of the narrator, who is very often the protagonist. In first person narratives, we are often able
trust the narrator while in Poe’s tales it seems that the narrator is almost
always unreliable to some extent.
This is especially evident in Poe’s “The Tell-Tale Heart” where the narrator is
attempting to convince us that he is sane while he is obviously crazy. The narrator claims that his tale of murder
confirms his sanity while it is clear it only supplies evidence of his
madness. The narrator explains that he
hears the beating of the old man’s heart under the floorboards while it is clear
that it is his own heart that is driving him mad. He carefully lays out an
argument for his sanity, but as the story progresses, the only thing the
narrator convinces the reader of is his madness. I particularly enjoyed this story as it
addresses some of the interesting characteristics of mental illness before much
had been discovered in that field. The
narrator of the story exhibits signs of paranoia and it is impressive how Poe
can get into the mind of an insane person without being insane himself (was
he?). Similarly in “Legeia”, the
narrator’s use of opium makes us suspicious of his claims. In my short story class last semester we read
Poe’s tale “The Cask of Amontillado” where, like “The Tell-Tale heart”, the
narrator explains a murder that he has committed. The narrator often refers to his victim as
his friend and it seems that he regrets the murder although he never explicitly
states so. This unreliability in the
narrator’s word adds another layer to the story that would otherwise be difficult
to display from another point of view.
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