In “The Divinity School Address,”
Emerson rejects imitation in his firm statement, “let me admonish you, first of
all, to go alone; to refuse the good models” (266). Furthermore, he writes that
“imitation cannot go above the model” and that “the imitator dooms himself to
hopeless mediocrity” (266). These strong statements again highlight
contradictions in Emerson’s writing; he rejects imitation but is simultaneously
writing to encourage others to imitate his way of life and his unique and
superior relationship to nature. Beyond the hypocrisy in Emerson’s writing, his
staunch disapproval of drawing from past inventions makes me wonder how Emerson
believes society can progress without consideration of and reference to the
past.
Scientific and technological
development and even new and emerging writing styles build off of and
simultaneously make reference to past creations. The laptop, for example, is in
many ways just a portable computer, but does that mean its inventor should be
dismissed as a mediocre imitator? While Emerson seems to suggest that it is
impossible to make a better version of something already envisioned, I perceive
technological innovation as continuously evolving from and improving knowledge
and insights previously discovered by others.
Emerson’s theory about imitation
also makes me wonder what he would have said about James Fenimore Cooper’s
writing. As we discussed in class, Cooper imitated Sir Walter Scott’s writing
style and employed a literary device—the use of disguise—common in
Shakespeare’s writing; however, Cooper’s The
Last of the Mohicans is also unique in that it is a distinctly American
story about European and Native American relations and the “taming” of new
land. Cooper complicates Emerson’s strict notion of “copying” by drawing from
previous writing styles and simultaneously producing new and innovative
content.
Emerson’s statements in “The
Divinity School Address” are also complicated by his theory on social progress
expressed in “Self Reliance.” Emerson writes that “no man improves” and that “society
never advances” but instead “recedes as fast on one side as it gains on the
other” (284). These radical statements answer my previous question about
Emerson’s beliefs about social progress, but if society never advances, what is the point of introducing new innovations? What are they doing to improve
or contribute to society?
Really interesting post, Lily. One answer t your final questions is that perhaps Emerson doesn't really care about social or general progress; he's only interested in the vitality of the individual, and the individual has to create, even if this means recreating. Also, he seems primarily interested in cultural vitality, the meaning and energy of language and art, not material progress, perhaps.
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