We collectively came up with
several explanations in class yesterday that excuse Delano’s naivety and inability
to detect the slave revolt sooner. We said that he is optimistic, can’t “read”
blackness, is blind to his own racism, and that he is unable to imagine a world
in which white people are oppressed by and made victim to African Americans’ control.
These interpretations are valid readings of the text, but they all exempt
Delano from responsibility and dismiss the fact that he is actively involved in
convicting the slaves and ensuring their re-enslavement and punishment.
While the slaves initially subvert race relations by capturing their white
masters, Delano helps ensure that the typical black slave-white master
relationship is reasserted. Melville implies that “order” is restored through
the reassertion of white control.
As Erin mentions in her post, the
story retells the violent and cruel death Babo experiences. He is chained and
brought to an unfair trial in which his death is presumably ordered. His
severed head is speared and placed on display—a form of public shaming—before
his body is burned to ashes. The physical dismembering and deterioration of his
body imply that his identity and attempt to free himself and his fellows slaves
is entirely erased or discredited. This cruel act made me question whether
Melville is proposing that violence is a necessarily solution to violence. Or is he just suggesting that violence is inherent in the slave and master relationship?
In The Nation’s recent article, “Melville and the Language of Denial,” African American writer Toni Morrison
reveals her thoughts about Delano and the acts of violence committed in “Benito
Cereno” after reading it for the
first time. She claims, “I understood that the massacre of violently rebelling
slaves would be condoned in nineteenth-century “slave history” as the erasure
of evil or the culling of herds. But I saw the equally violent response of the
slaves on the ship as that of rational, if enraged, humans unwilling to be
kidnapped for profit.” To Morrison, the slaves’ violence enacted against their
white oppressors is a necessary means of escaping a system that commodifies
human beings. Commenting on the part of
the story on pg. 1569 in which Delano promises his officers gold and silver to
motivate them to recapture the ship, Morrison believes that “following the
discovery of Babo’s rebellion, Amasa Delano has a choice between fear and
profit.” Ultimately, “when measuring fear and the loss of control against
money, money wins,” and “Delano has to lie and promise his men gold and silver
to encourage them to recapture the ship.” Morrison’s analysis of the text
highlights that the system of enslavement is entirely motivated by
profit--from the beginning of the story to the end. The slaves’ rebellion undermines the Spaniards’
profit and ownership of valuable “property.” Delano then has to offer a
monetary incentive to his officers to ensure the slaves’ capture. While the
slaves use violence to escape their own commodification, Delano uses violence
to ensure that a system he and other white men profit from remains in place. In
this way, he is complicit in the oppression of African Americans and cannot be
dismissed as blind to his own racism.
This is a very interesting point. Adding a 21st century post-slavery viewpoint to this discussion certainly makes it clear that Melville is not free from racism, even though he endows slaves with strength and intelligence. I wonder what Morrison would say about Cooper's racial views in The Last of the Mohicans.
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